TS-New showing English updates from
V 2-17-06 to V 4-16-06
Insertions in PINK
Deletions in PALE GREEN
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[*The story later came to a very tragic end. Although "John" had been able to socially and surgically reverse his childhood reassignment and become a male, "he acknowledged a deep well of wrenching anger that would never go away. "You can never escape the past," he told the Seattle Post-Intelligencer in 2000. "I had parts of my body cut away and thrown in a wastepaper basket. I've had my mind ripped away."" "John" committed suicide on May 4 2004.]

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"In the end it is only the children themselves who can and must identify who and what they are. It is for us as clinicians and researchers to listen and to learn. Clinical decisions must ultimately be based not on anatomical predictions, nor on the 'correctness' of sexual function, for this is neither a question of morality nor of social consequence, but on that path most appropriate to the likeliest psychosexual developmental pattern of the child. In other words, the organ that appears to be critical to psychosexual development and adaptation is not the external genitalia, but the brain." William Reiner, M.D., To Be Male or Female--That is the Question, 151 Arch Pediatr. Adolesc. Med. 225 (1997)]. |
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Definition and Synopsis of the Etiology of Adult Gender Identity Disorder and Transsexualism.
"In conclusion, transsexualism is strongly associated with the neurodevelopment of the brain...The condition has not been found to be overcome by contrary socialisation, nor by psychological or psychiatric treatments . . . Individuals may benefit from an approach that includes a programme of hormones and corrective surgery to achieve realignment of the phenotype with the gender identity, accompanied by well-integrated psychosocial interventions to support the individual and to assist in the adaptation to the appropriate social role . . . Treatments may vary, and should be commensurate with each individual's particular needs and circumstances."
- Quote from the GIRES synopsis of current research on the etiology of GID; this document was signed by the world's leading researchers in the field. |

Her story is also told in the movie Soldier's Girl.
Chrysis, a stunning TG woman who was a cabaret
performer in New York City in the 70's and 80's.



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| Dana International, a pretty young Israeli girl who transitioned during her teens and had SRS at age 22 . Dana was a drag cabaret performer in her teens, and went on to become a world-renown singer as a postop TS woman. | ||
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Also note that the emotions and feelings of gender variance are expressed in different ways in different cultures, depending on available social roles in which transgender people can exist in each culture. Different words may be used to describe of gender-variant people in a particular culture. These “types” vary widely from culture to culture, and evolve over time within each culture. See Lynn's page regarding the situations of TG/TS people in different countries and also the TransgenderAsia website, for examples of widely varying transgender typing in many different cultures.
See also the following page concerning the difficulties in cross-cultural communications and language translations regarding gender variance. As one example, that page discusses how the word “travesti” in Romance languages (such as Spanish, Portuguese, Italian, etc.) is very often confused with the word “transvestite” in English (a word that has a very different meaning). As we will learn, gender-variation typing and labeling are highly culture-dependent and language-dependent, and are very inexact practices.

(iii) Female impersonators (FI's), and the historical role of FI clubs in disseminating knowledge about gender transition:
In those very inhibited and incredibly homophobic years, the idea of going to a nightclub where young "men" performed as beautiful young women struck a deep chord in many socially conformist heterosexuals. Perhaps a sampling of what appeared to them to be "forbidden and decadent" ways of life gave them a sexual buzz or made them feel very sophisticated. Whatever the reason, some of the female impersonation clubs in larger cities began to attract lots of straight tourists.
It was while working at Le Carrousel in the mid-1950's that several young, intensely transsexual girls began taking the estrogen just then becoming available in pharmacies. As a result, they developed beautifully shapely bodies and delicately soft features that stunned audiences at the club. One performer, named Coccinelle, went to Dr. Georges Burou of Casablanca, Morocco in 1958, and became one of the first patients to undergo the modern form of sex reassignment surgery (which Burou had just invented). Two years later another Le Carrousel showgirl, named Bambi, also went to Dr. Burou for SRS.
Coccinelle and Bambi continued to perform at Le Carrousel following their surgeries, where they were seen by large audiences that included many famous and wealthy people. As a result, the news of their successful "sex changes" spread like wildfire, adding to their fame and to the mystique of the club.
The TS transitions of Coccinelle and Bambi triggered a sudden and widespread dissemination of knowledge out into the transgender world about how to undertake and carry out a gender transition. Up until then, although many people had heard of Christine Jorgensen's "sex change", there was little detailed practical information about how to undertake such a transition on one's own. The girls at Le Carrousel changed all that, by talking with others about what they had done and how they had done it. Their performances at the club also spread the beguiling and culturally revolutionary image of "transsexuals" as being very beautiful, talented and sexually desirable women (which unfortunately later led to a vicious backlash against trans women by feminist thought-leaders).
Coccinelle and Bambi (Marie-Pier Ysser) went on to live wonderful lives over the longer term, and you'll now find links to their stories in Lynn's TS Successes pages (at the end of photo gallery 4). Historical information about Le Carrousel can be also found at this link
The wonderful website of David de Alba provides a memorable look back into the female impersonation clubs and the FI culture of the past. His site includes a page about Finocchio's, and additional background on that club can be found in this planetout.com article. Vicki Rene's website also spotlights many of the beautiful nightclub performers of yesterday and today, in her fabulous "Showgirls pages (more)".
The tradition of "female impersonation" continues on even today at famous big-city nightclubs such as The Baton Show Lounge in Chicago, where you can see performances by talented and beautiful entertainers such as Mimi Marks (more). While some of the performers at such clubs are drag queens who live as men outside of work, others such as Mimi are socially transitioned trans women.
Mimi Marks - a famous transgender showgirl
featured at The Baton Show Lounge in Chicago

It is important to realize that this is a very, very common practice, and thus we need to put it clearly in perspective in the overall picture of gender issues.
Crossdressing is often simply a regular expression of male sexuality similar to the use of pornography for pleasurable visual arousal and auto-sexual release, and in these cases is not a gender issue at all. Sexually active males who are turned on visually by females may get very excited by seeing part of themselves as female by wearing a bit of women's clothing. Some of these men then gradually get into fully crossdressing as a means of experiencing more sensuality and turn-ons than they otherwise might. However, it is important to note that crossdressers and transvestites generally do NOT modify their bodies through surgical or hormonal means.

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