What
Are Quoems?
Lynn Conway Nov. 20, 2016 [v 12/30/16]
The ‘Quoem’ is a
techno-social literary-mechanism for compact meta-storytelling in the emerging Social Age. It enables the artistic-composition of personalized
multi-dimensional space/time encodings of complex unfolding techno-social contexts.
It does so by exploiting sequences of quotes
by people whose lives and words have impacted the quoem’s author . . . and which,
taken in sequence, convey framings of the relevant social-emotional-dynamics of
emergent events unfolded by readings of the quoem.
Quoems might at first glance appear
to be free-verse poems. However, the inclusion of each included-quote’s author’s
name and informational weblink(s) gives-away that they are more than poems (i.e.,
are meta poetic) . . . say more about personal impact
and context connections with authors . . . and about the ongoing, deepening
exploration of a quoem that readers can engage in . . . and about how authors
can (as they mature and increasingly reflect) embed unique quotes of their own
(words that they’d like to be remembered by) into their quoems, so as to reveal
their own life’s intertwining with the unfolding threads of the (sub)cultures
they are embedded in. TBD
I accidentally stumbled into innovating
and evolving small quoems in 2013, during a major revision to my homepage . . .
document how this happened/unfolded by linking to successive versions of that evolving
homepage in the Internet Archive from 2013-2015 . . . TBD.
Having been fascinated by Kurt Vonnegut’s concept of the “Shapes of Stories” (see video), I began visualizing
how various personally-meaningful quotes could be assembled and intertwined to
“shape complex yet-coherent meta-stories” from personal points of view that
containing embedded linkages into labyrinths of relevant personalized techno-social-dynamical-history (i.e., individual trajectories
through techno-social space-time). See these links to evolving quoems in my current
homepage for examples of how they can work: Proquoem; Adventuring; Memoirs; DoingDemos; Mementos; Epiquoem.
As you might imagine, quoems provide
an opening for generating emotionally-moving, highly-empowering (esp. upon deeper
ongoing study), yet compactly-encoded communications that intertwine both the
“techno” (i.e., material) and the “social” (i.e., living human) dimensions of emergent
human culture . . . by drawing upon, honoring, and adding-to the impactful quotes
passed down to us by memorable people whose increasingly
historically-reconstructable life-stories are ever-more-easily accessible and socially-relatable-to.
Quoems also hint at ways to cybernetically
externally-mechanize (materialize) and socially-visualize (simulate and share)
“the shapes of such stories” . . . and thus find ways to ever-more-compactly encode and
evolve them . . . while ever-more-deeply exploring and measuring the roles of shaped-storytellings
in the underlying memetic initiations, propagations, selections and social
maintenances of aggregated-labyrinths of human culture. More TBD
I gave my first public “Quoetry Reading” on November 9, 2016, as part of my convocation remarks to the graduating students while receiving an honorary
doctorate at the University of Victoria . . add more context and links as
available . . . TBD. It would be exciting to see some talented poets begin
exploring this medium and sharing avant-garde examplars of their works with the wider
community of poets and writers.
Keywords/phrases: Quoem, literary mechanism, shapes
of stories, Kurt Vonnegut, materialize, socially-visualize, evolution, history,
culture, space-time, memetics, cybernetics, techno-social dynamics, emotion-propagation,
social age, art generation.